La restauración conservadora, 1946-1957

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

El Escorial is more than a monument to the zeal of Spain’s Catholicism; it is also a symbol of Spain at its imperial apogee. This imposing, granite edifice was built by King Philip II to celebrate Spain’s victory over the French at Saint-Quentin on August 10, 1557. Paid for with New-World gold, this sprawling monastery-palace is laid out in a vast grid of corridors and courtyards. At its heart is the austere Doric basilica of San Lorenzo el Real - beneath which are the remains of eleven Spanish kings, including Philip. The story of this fascinating, enduring symbol of Spain’s monarchy...

Primera traducción al castellano de esta obra clásica en su tercera edición aumentada y revisada, fruto de toda una vida de investigación, en la que el autor, con la fría minuciosidad de un científico y sin ninguna concesión al sentimentalismo, pone de manifiesto la insoportable dimensión del Holocausto.