La rebelión Maji Maji:

En Verdún, los ejércitos franceses y alemanes, y sus máquinas, lucharon entre sí de acuerdo con la lógica y las convenciones de la época, sin ningún plan siniestro o noble propósito, impulsados por dos naciones-estado que gozaban de poderes sin precedentes sobre sus soldados. La mayoría no eran ni chovinistas ni pacifistas. Eran trabajadores haciendo su trabajo sin entusiasmo, tan bien y tan tenazmente que dejaron tras de sí un testimonio duradero de la capacidad destructiva de dos de las culturas nacionales más creativas de la historia. A las siete de la mañana del 21 de febrero...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Nestor Diaz de Villegas (Cumanayagua, 1956) es poeta, editor y ensayista. Ha publicado, entre otros libros de poesia, Vicio de Miami (1997), Confesiones del estrangulador de Flagler Street (1998), Por el camino de Sade / Sade's Way Press (2003), Cuna del pintor desconocido (2011) y Palavras a tribo / Palabras a la tribu (2014). Fue el fundador de Cubista Magazine (2004-2006). Reside en Los Angeles, California."

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...