Historia de Italia (2a Edición)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Las islas desconocidas de España; Pedro Serrano, el náufrago que inspiró a Daniel Defoe su célebre Robinson Crusoe; el descubrimiento real de la Antártida… y otros hechos de la historia de España escasamente pregonados, o cuyo desarrollo no acaeció en modo alguno como nos lo habían contado. Tras el enorme éxito de Eso no estaba en mi libro de Historia de España, una obra que ha conquistado a miles de lectores, Francisco García del Junco vuelve a sorprendernos con once nuevos capítulos con los que disfrutaremos y aprenderemos sobre los aspectos menos divulgados de nuestra...

This book is a landmark in Mexican rural history. Activists and professional historians have long argued that the nineteenth-century privatization of indigenous communal lands was the original sin that laid the ground for the agrarian strife of the twentieth century. Many also claimed that this privatization drove the political mobilizations of indigenous peasants even before the Revolution. Nevertheless, very few historians have actually studied the process through which indigenous lands were privatized, and their findings have been published mostly as tantalizing but sketchy articles. In...

Marta Minujín, Nacha Guevara, Les Luthiers, Almendra, Marilú Marini, Andy Warhol, Umberto Eco, John Cage, Julio Le Parc, Yayoi Kusama Todos estos protagonistas de la cultura argentina tienen un origen común: el Instituto Di Tella. Al calor de la fortuna de la nave insignia de la burguesía industrial, el edificio de la calle Florida al 900 se convirtió entre 1963 y 1970 (en una correspondencia cronológica con el reinado de los Beatles) en el epicentro de una vanguardia que saltaba los decorados de la pintura, el teatro, la música y la danza para instalarse como una usina que desafiaba...