Cronología histórica de Al-Andalus

En Apoteosis de don Pedro Calderón de la Barca, José Zorrilla hace una apología a la hispanidad y al orgullo herido de un imperio que dio sus últimos estertores en el siglo XIX. El texto resulta interesante, incluso desde su idea épica de una estructura nacional, y merece un análisis más centrado en lo político que en la noción de "divertimento literario" con que fue concebido originalmente. Cabe concluir comentando que aquí la figura de Calderón de la Barca es presentada como un estandarte nacional, una reivindicación de ese orgullo imperial antes referido.

La Cuarta Serie de los Episodios Nacionales de Galdós, escrita en la primera década del siglo XX (1902-1907), tiene como fondo el reinado de Isabel II. El hilo conductor de los relatos es José García Fajardo, quien, a diferencia de los anteriores protagonistas de las Series, no está interesado en la política. Tabla de contenidos: Las tormentas del 48 (1902) Narváez (1902) Los duendes de la camarilla (1903) La Revolución de Julio (1904) O'Donnell (1904) Aita Tettauen (1905) Carlos VI en la Rápita (1905) La vuelta al mundo en la "Numancia"(1906) Prim (1906) La de los tristes destinos...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...