Propiedad Compartida

Excerpt from Cuento del Lar: Tragedia Rústica en Cuatro Actos, en Prosa y Verso, Estrenada en el Teatro Odeon, de Madrid, el Dia 7 de Marzo de 1918 María Santoncha. Concha Torres. Camacjón Díaz. Carmen Munoz. Miguel Muñoz. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare ...

Mi vestido verde esmeralda by Alister Ramirez Marquez recounts the life story of Clara, born poor in isolated, rural Colombia in 1900, who makes her way, after a mythic journey through forests, mountains and swamps to the western region of the Quindio, to the city of Armenia, now the heart of coffee and banana production. This remarkable novel, first published in 2003, is the tale of Clara's adventurous journey and subsequent rise to prosperity as the owner of a farm and restaurant and mother of six, ending with years of political strife and the dissolution of her family. The novel provides...

A porn actor and actress escape their past lives in a black Chrysler Imperial along with the woman’s young daughter, driving beneath an inclement sun on a series of identical roads and past inhospitable landscapes. Each one of them narrates their flight to nowhere, but it is a fourth voice—that of a documentary filmmaker fascinated by this story—that communicates just how much of those three characters can exist within each person. In this magnetic novel the past is a nebulous territory from which there is no escape, and although the journey can turn the most impersonal...

La enredadera narra la historia de dos mujeres, Clara y Julia, que habitan la misma casa, una hermosa villa de indiano en el Norte de España, con un siglo de diferencia. La historia está contada en contrapunto y el paralelo entre Clara, la sometida -casada con un hombre mayor y rico que construye un «palacio» para su esposa-, y la independiente Julia -que compra la casa cien años después para pasar vacaciones y breves períodos de huida de la gran ciudad-, pone de manifiesto parecidas señas de identidad en las dos mujeres, acosadas por las trampas inexorables de su sexo. El espacio...